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The period has been
subdivided into three main phases the names of which are derived from the sites
where the cultural development characteristic of the particular phase has been
recognized.
Early Cycladic I
(Grotta-Pelos phase) 3200-2800 B.C. This
phase is still close to neolithic tradition with evidently small settlements and
cemeteries with cist graves. Burnished and incised pottery is the norm, the
basic shapes being the crater and the pyxis. Marble vessels and figurines are
especially characteristic. The chief marble vessels are the collared and footed
jar ("kandila") and the beaker. The most popular form of figurine is the
"violin-shaped", but there is also the more naturalistic "Plastira" type.
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Early Cycladic II (Keros-Syros phase) 2800-2300 B.C. A
rapid social and technical development is evidenced by the evolution of
metallurgy, with an abundant production of tools and weapons , and of ship
building and shipping with manoeurable, oared ships, thus opening lines of
communication and trade in the Aegean. The settlements increase and develop
,becoming organized along urban lines. By the end of the phase they are
fortified. The cemeteries, with cist graves and built graves, likewise increase
in size. In addition to burnished pottery with incised and impressed decoration
, painted pottery now appears and vases in new shapes such as the "sauce boat",
the jug and "frying pan" . In marble, the bowl and the footed cup predominate ,
and the new type of marble figurine , the upright female figure with folded arms
, becomes the hallmark of the phase and expands throughout the Aegean. The
rendering of this figure as a lifesize statue, moreover ,initiates the
appearence of large scale sculpture in the Aegean; this is the great achievement
of the phase in this field. There is much communication with the northeastern
Aegean , ties which are re-established at the end of the period.
Early Cycladic III (Phylacopi I phase) 2300-2000 B.C.
Development of the settlements and predominance of pottery with painted dark
coloured geometric decoration on a light ground. Marble figurines are restricted
to a schematised conical form with projections at shoulder height. Tombs are
rock cut.
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